Publisher's Synopsis
Christopher P. Wilson explores these questions by examining narratives of police power in crime news, popular fiction, and film, showing how they both reflect and influence the real strategies of law enforcement on the beat, in the squad room, and in urban politics. He takes us from Theodore Roosevelt's year of reform with the 1890s NYPD to the rise of "community policing," from the classic "police procedural" film The Naked City to the bestselling novels of LAPD veteran Joseph Wambaugh. Wilson concludes by demonstrating the ways in which popular storytelling about police power has been intimately tied to the course of modern liberalism, and to the rising tide of neoconservatism today.
"A thorough, brilliant blend that crosses disciplines."-Choice
"[S]ophisticated, highly theoretical and ambitious. . . . Connects the history of policing to cultural representations of crime, criminals and cops."-Times Literary Supplement
"[A] deeply satisfying approach to the crime narrative. . . . [Wilson] focuses, ultimately, on the role of police power in cultural storytelling."-American Quarterly