Critical Race Theory and Copyright in American Dance

Critical Race Theory and Copyright in American Dance Whiteness as Status Property

First edition

Hardback (07 Nov 2013)

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Publisher's Synopsis

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loìe Fuller, George Balanchine, and Martha Graham.

Book information

ISBN: 9781137321961
Publisher: Palgrave Macmillan US
Imprint: Palgrave Macmillan
Pub date:
Edition: First edition
DEWEY: 346.730482
DEWEY edition: 23
Language: English
Number of pages: xii, 243
Weight: 428g
Height: 222mm
Width: 138mm
Spine width: 19mm