Publisher's Synopsis
For the first time, author Stephen Barber gives a full and authoritative account of Artaud's film projects, and his conception of Surrealist cinema. It examines his unique series of drawings of the fragmented human body, begun in the ward of a lunatic asylum and finished in a state of furious liberation. Finally, the book captures Artaud's ultimate experiment with the screaming body in the form of his censored recording To Have Done With the Judgment of God - an experiment which is unprecedented in the history of art, and which ultimately decimates that history.
