Publisher's Synopsis
Excerpt from Washington Square Plays, Vol. 20: 1, the Clod, by Lewis Beach, 2, Eugenically Speaking, by Edward Goodman, 3, Overtones, by Alice Gerstenberg, 4, Helena's Husband, by Philip Moeller
The rigid conventionality of the theatre has been frequently remarked upon. Why the world should ever fear a radical, indeed, is hard to see, since he has against him the whole dead weight of society; but least of all need the radical be dreaded in the theatre. When the average person pays money for his amusements, he is little inclined to be pleased with something which doesn't amuse him: and what amuses him, nine times out of ten, is what has amused him. That is why changes in the theatre are rela tively slow, and customs long prevail, even till it seems they may corrupt the theatrical world.
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