Publisher's Synopsis
Cicely Yeovil sat in a low swing chair, alternately looking at herself in a mirror and at the other occupant of the room in the flesh. Both prospects gave her undisguised satisfaction. Without being vain she was duly appreciative of good looks, whether in herself or in another, and the reflection that she saw in the mirror, and the young man whom she saw seated at the piano, would have come with credit out of a more severely critical inspection. Probably she looked longer and with greater appreciation at the piano player than at her own image; her good looks were an inherited possession, that had been with her more or less all her life, while Ronnie Storre was a comparatively new acquisition, discovered and achieved, so to speak, by her own enterprise, selected by her own good taste. Fate had given her adorable eyelashes and an excellent profile. Ronnie was an indulgence she had bestowed on herself.Cicely had long ago planned out for herself a complete philosophy of life, and had resolutely set to work to carry her philosophy into practice. "When love is over how little of love even the lover understands," she quoted to herself from one of her favourite poets, and transposed the saying into "While life is with us how little of life even the materialist understands." Most people that she knew took endless pains and precautions to preserve and prolong their lives and keep their powers of enjoyment unimpaired; few, very few, seemed to make any intelligent effort at understanding what they really wanted in the way of enjoying their lives, or to ascertain what were the best means for satisfying those wants. Fewer still bent their whole energies to the one paramount aim of getting what they wanted in the fullest possible measure.
